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3602 E. Colfax, Denver, CO 80206
2 Blocks East of Bluebird Theater
303.296.1003

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Genre: Concerts

Castle Rat w/ Eaglewing + Chamber Mage

Lost Lake Presents Castle Rat with Eaglewing and Chamber Mage on Friday, August 18 — Castle Rat is a fantasy doom metal band hailing from Brooklyn, NY, led by The RatQueen (guitar/vocals). On her mission to expand and defend ‘The Realm’ from thosewho seek to destroy it, The Rat Queen is joined by The Count (lead guitar), The PlagueDoctor (bass), and The Druid (drums). Together they face the relentless wrath of theirarch nemesis: Death Herself—The Rat Reaperess. The Realm of Castle Rat exists forthose who crave swords & sorcery; stoner & doom; Frazetta & Sabbath; battle-babes &beasts- 16+, under 16 admitted with ticketed guardian

Open Mic Night (Free Event)

Lost Lake and Text Me When You’re Home Present free Open Mic Night EVERY WEDNESDAY NIGHT!Doors open at 7pm, sign-ups begin at 8pm.  Up to 3 songs, 10 minutes total. Come out and show us what you’ve got!

Open Mic Night (Free Event)

Lost Lake and Text Me When You’re Home Present free Open Mic Night EVERY WEDNESDAY NIGHT!Doors open at 7pm, sign-ups begin at 8pm.  Up to 3 songs, 10 minutes total. Come out and show us what you’ve got!

Driftwood w/ All Through the Night

Lost Lake Presents Driftwood with All Through the Night on Thursday, August 15 –Music has guided Driftwood to hallowed ground many times since its founding members, Joe Kollar and Dan Forsyth, started making music as high schoolers in Joe’s parents’ basement. Whether the Upstate New York folk rock group—which today also includes violinist Claire Byrne, bassist Joey Arcuri, and drummer Sam Fishman—are converting new fans on a hardscrabble tour across the country or playing to a devoted crowd at hero Levon Helm’s Woodstock barn, the band’s shapeshifting approach to folk music continues to break new ground. And yet in many ways Driftwood’s latest work, the transformative December Last Call, finds the group coming home.Recorded in that very same basement where the Driftwood dream began, December Last Call lyrically reflects on the recent past, musing on the ways the group grew up, together and apart, through curveballs like new parenthood or pandemic shutdowns. But sonically, the band’s sixth album looks confidently to the future, experimenting with new sounds while staying true to the bluegrass roots that built them. Across the album’s nine tracks, the band often leans into hard-rocking electric guitars and driving percussion: On “Every Which Way But Loose,” we get a foot-tapping beat and a sweeping chorus, and on “Up All Night Blues,” the band shines with an ambling, sing-along-able reflection on the challenges of new motherhood. But other tracks, like standout closer “Stardust,” take a simpler route, allowing bare-bones vocals and acoustic instrumentals to underpin a deeper emotional message. One of Driftwood’s biggest differentiators—and perhaps its biggest strength—is the sheer breadth of talent in its lineup, with Claire, Joe, and Dan all contributing as songwriters and vocalists. This creative push-pull, where each selects songs to share with the group and record together, bakes vulnerability and collaborative spirit into every recording. “It’s at the heart of what we do,” says Dan. “Everybody has a strong love for songs, for songwriting, and we each appreciate everybody else and the way that they contribute to that.” While 2019’s acclaimed Tree of Shade tapped Simon Felice as producer, the band opted to self-produce this latest effort, leaning into their creative impulses and striving to capture their distinctive live energy. Figuring out how to channel that on-stage intensity into a recording has actually, in many ways, been a lesson in restraint. “When I look back at the things we were writing and playing, oh, I don’t know, 10, 12 years ago, they were really arranged: a lot of you do this here, we’re going to do this there, we’re going to break down, we’re going to do a big build,” Claire explains. “These days, it’s more like, ‘Let’s play the song and just see what happens.’” This approach makes all the more sense when you consider Driftwood’s live shows, which operate not only as effervescent, twang-studded musical parties, but also as reunions for their throng of devoted listeners—folks who have started to feel less like fans and more like something bigger. “They’re supporters. They’re friends,” explains Joe. “It’s crazy how much love we’ve got and how many wild situations on the road we’ve gotten out of because of those people.” Many of them are quite literally invested in the band’s future: December Last Call was a crowd-funded effort, and it wasn’t the band’s first.  All ages, ticketed under 16 guests admitted with ticketed parent or guardian.

Open Mic Night (Free Event)

Lost Lake and Text Me When You’re Home Present free Open Mic Night EVERY WEDNESDAY NIGHT!Doors open at 7pm, sign-ups begin at 8pm.  Up to 3 songs, 10 minutes total. Come out and show us what you’ve got!

LØLØ: U TOUR ME ON w/ GUS

Lost Lake Presents LØLØ: U TOUR ME ON with GUS on Saturday, March 8 —  LØLØ’s journey started long before she became the  fully formed pop rock force we now know today,  gracing the stage with her hard hitting passion and tour de force performance energy. As a child rifling through her eclectic and extensive CD collection including everything from the Wizard of Oz soundtrack, to Hilary Duff, to Green Day, she learned how to play “Good Riddance (Time of Your Life)” and never put the guitar down from that point on. Emerging in 2018, she attracted a rabid fan base with heart-on-her-sleeve lyrics and hard-hitting melodies spiked with a pop rock spirit. She also dropped three EPs, the Sweater Collection EP [2019], overkill EP [2021], and debbie downer EP [2022]. Among various standouts, her cover of “Dancing In The Dark” (Bruce Springsteen)  gathered over 29 million Spotify streams followed by “u turn me on (but u give me depression)” with north of 16 million Spotify streams. Plus, she earned the applause of OnesToWatch, Kerrang!’s Sounds of 2024, Alternative Press, 1883 Magazine, tmrw, PAPER who attested, “Full of all the anger, angst, cynicism and depression that makes a proper pop punk artist, Toronto singer-songwriter LØLØ is well on the rise” and a mention in September 2020 People Magazine “Emerging artists making their mark on the musical landscape”. In 2021, she collaborated with pop punk icons Simple Plan on their Amazon Exclusive “I’m Just a Kid”. Moreover, she toured with everyone from Boys Like Girls to New Found Glory and Against The Current, and has performed at Lolapalooza, Sad Summer Festival, and Slam Dunk Festival. LØLØ’s path to stardom in Hollywood was paved with its fair share of obstacles and jump scares. Since she arrived a few years back, the Toronto-born singer and songwriter has hit like a tornado with tens of millions of streams and widespread critical acclaim. She also just so happened to encounter a myriad of misfits, falling for (genuinely) heartless dudes.  Along the way, she crafted what would become falling for Robots and wishing I was one with producer Mike Robinson. The concept naturally presented itself. Now, she invites everyone into her mind on her 2024 full-length debut LP, falling for robots and wishing I was one [Hopeless Records]. All ages, ticketed under 16 guests admitted with ticketed parent or guardian  

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