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3602 E. Colfax, Denver, CO 80206
2 Blocks East of Bluebird Theater
303.296.1003

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Genre: Concerts

Kevin Devine w/ Brother Bird

Lost Lake Presents Kevin Devine with with Brother Bird on Friday, March 3 — 16+, under 16 admitted with ticketed guardian

Death Valley Girls w/ Spoon Benders

Lost Lake Presents Death Valley Girls with Spoon Benders on Monday, March 20th. LA mystic-rock mainstay Death Valley Girls return with the announcement of their upcoming LP, Islands In The Sky, out February 24th via Suicide Squeeze Records. With the announce comes cosmic lead-single “What Are The Odds” accompanied by a video of the band reincarnated in red beehive wigs at an epic pool party, quickly expanding into an exploration of existing in parallel universes and multidimensional space/time.About the track, lead-member Bonnie Bloomgarden offers: “When we wrote “I’m a Man Too” we were trying to revisit No Doubt’s “I’m Just a Girl” but through a new lens. “What Are the Odds” is in the same way an investigation/revisitation of Madonna’s “Material Girl” but with a DVG spin. We love to think about consciousness, and existence, and we very much believe in some type of reincarnation, but also that this experience isn’t linear, there isn’t a past and future, there’s something else going on! What is it? Is it a simulation, are we simulated girls??!”For the better part of a decade, LA’s scrappy rock n’ roll mystics Death Valley Girls have used their music as a means of tapping into a communal cosmic energy. On albums like Glow In The Dark (2016), Darkness Rains (2018), and Under the Spell of Joy (2020) the band challenged the soul-crushing banality of modern society and celebrated “true magical infinite potential” through a collage of scorching proto-punk riffs, earworm melodies, far-out lyrics, and lysergic auxiliary instrumentation. But on their latest album Islands in the Sky, Death Valley Girls’ songwriting mastermind Bonnie Bloomgarden uses the band’s anthemic revelries as a guidebook to spiritual healing and a roadmap for future incarnations of the self. And while these may be the loftiest aims of Death Valley Girls to date, the resulting music is also by far their most infectious and celebratory- 16+, under 16 admitted with ticketed guardian

Arcy Drive: The Stattic Tour w/ Lady Denim

Lost Lake Presents Arcy Drive: The Stattic Tour with Lady Denim on Monday, March 27 —  Traveling in a 1989 Toyota van, they shared their music locally which they coined “Attic-Rock.” After a summer in their hometown and new found passion of playing live, the four renovated an old school bus and began touring the US before their first official release. Many dive bars and music halls later, their “Barefoot Tour” landed the band a new cult following. In Summer of 2022, the group released two singles amassing over 1 million streams in less than their first two months. Soon after, the band released their debut Live album, “Attic Sessions”, in November. They are heading back on the road to bring their soulful but grungy sound to you. Make sure you stay tuned to join us for The Stattic Tour this March! – 16+, under 16 admitted with ticketed guardian

Indie 102.3 presents Avey Tare – 7’s Tour w/ Paradot

Indie 102.3 presents Avey Tare (of Animal Collective) with Paradot on Saturday, May 6 –You remember how it was, don’t you, back in the Spring of 2020? Knowing so little about what any of us should do, so many of us crawled inside our quarters to find new obsessions or indulge the familiar ones, unencumbered by anything else we could do. At home in the woods on the eastern edge of Asheville, N.C., Avey Tare took the latter path, sequestering himself in his small home studio to sort the songs he’d written and recorded with friends in the instantly distant before times — Animal Collective’s Time Skiffs, of course, their astonishing document of communal creativity a quarter-century into the enterprise. He often worked there for 12 hours a day, tweaking mixes alone, save the birds and bears and his girlfriend, Madelyn. By Fall, though, it was done, so what next? How else should Avey now occupy himself in his cozy little room? The answer became 7s, his fourth solo album (and first in four years), an enchanting romp through the playground of his head. He wasn’t, however, going to do it alone.During the first week of January 2021, Avey began making regular drives to his friend Adam McDaniel’s Drop of Sun Studios to give guts and flesh and color to the skeletal demos he’d made at home. They turned first to “Hey Bog,” a tune Avey had been tinkering with since he wrote it to have new material for a rare live performance years earlier. The inquisitive electronic meditation — all tiny percussive pops and surrealist textures at first — slowly morphs into a gem about surrendering cynicism and accepting the world a bit more readily, the call buttressed by trunk-rattling bass and spectral guitar. It feels like a lifetime map for new possibilities, encapsulated in nine absorbing minutes. The plot for 7s, then, was set: trusting, intuitive, exploratory collaboration among friends, after a Winter without it. These songs are like overstuffed jelly jars, cracking so that the sweetness oozes out into unexpected shapes. Still, the sweetness — that is, Avey’s compulsory hooks — remains at the center, the joy inside these Rorschach blots.If Animal Collective has forever been defined by its charming inscrutability, Avey surrenders to a new intimacy and candor with 7s. Take “The Musical,” a bouncing ball of rubbery synths and wah-wah guitars that contemplates what draws someone to sound and how turning that calling into a profession can alter the source. “I can hear the mountains singing,” he counters with an audible smile wiped across his face, painting a postcard of his home amid one of the United States’ folk hubs, “and I do believe they could do that forever.” Obligations aside, this is a self-renewing love, he realizes, the source as captivating as it was the first time. “Have you ever felt a thing and known that’s how you felt about it all along?” he ends this guileless love song for everything.- 16+, under 16 admitted with ticketed guardian

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