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3602 E. Colfax, Denver, CO 80206
2 Blocks East of Bluebird Theater
303.296.1003

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Genre: Alternative/Indie Rock

Good Looks w/ A Place for Owls + Jr. Rabbit

Lost Lake Presents Good Looks with A Place for Owls and Jr. Rabbit on Sunday, October 30 — Born and raised in small Texas towns, the members of Good Looks met and began playing together in Austin.Songwriter Tyler Jordan grew up in a South Texas coastal town dominated by the petrochemical industry, his childhood steeped in the tension between nature and industry, exploitation abundantly present and the wealth gap on full display. His father’s church, described by Tyler as “cult-like in its intensity,” was homebase and where he learned to sing.Tyler eventually met lead guitarist Jake Ames in the late-night song-swap circles of the Kerrville Folk Festival campground (where they would also meet Buck Meek and Adrianne Lenker pre-Big Thief). They shared their mutual love of the Texas hill country canon (Blaze Foley, Townes Van Zandt, and Willie Nelson), a love of cheap diner food, thrift store baseball caps, and a healthy dose of harmless shit-talking. They began playing in bands together, backing up other songwriters and taking turns in the spotlight. They sought out producer Dan Duszynski (Loma, Cross Record, Jess Williamson) to engineer their debut album.What would form was Good Looks, a blue-collar political indie-rock band with healthy doses of Replacements swagger and shimmering, desert rock riffs not unlike The War On Drugs.- 16+, under 16 admitted with ticketed guardian

Meat Wave w/ Moon Pussy + Spells

Lost Lake Presents Meat Wave with Moon Pussy and Spells on Wednesday, November 9th. – 16+, under 16 admitted with ticketed guardian

Plastic Picnic w/ People in General + Horse Bitch

Lost Lake Presents Plastic Picnic with People in General and Horse Bitch on Monday, September 26th.  Plastic Picnic is an indie rock band based in Brooklyn, NY. Despite all having roots in the Pacific Northwest, the members didn’t come together until the two separate duos of singer Emile and guitarist Lincoln and drummer Gordon and bassist Marshall met in New York in 2016. Since their formation, the band has been creating a unique brand of orchestral indie pop, showcased on their two EP’s “Plastic Picnic” and “Vistalite”. Plastic Picnic’s distinct sound has garnered them festival appearances, song placements on hit TV shows Homeland and Shameless, and over 150,000 average monthly listeners on Spotify.  Plastic Picnic is set to release their highly anticipated debut full length album in 2022.  “Plastic Picnic has a real knack for making synthesizers sound epic”  -NPR “Catchy, danceable beats paired with melancholy lyricism and shimmery melodies”  -Billboard- 16+, under 16 admitted with ticketed guardian

The Brevet w/ High Street Joggers Club

Lost Lake Presents The Brevet with High Street Joggers Club on Thursday, October 6th.Nestled in between Los Angeles and San Diego lies Orange County, CA: a culturally, economically, and environmentally diverse community with an identity all of its own. The Brevet, hailing from the heart of Orange County, continues to create an ever-evolving sound that pushes stylistic boundaries. Just as Orange County is home to snow capped mountains, pristine beaches, and bustling city centers, The Brevet’s alternative rock sound draws authentically from folk, surf, and R&B influence, but doesn’t shy away from thundering rhythms, blistering guitars and progressive synths.- 16+, under 16 admitted with ticketed guardian

Pretty Sick w/ Bleak Mystique

Lost Lake Presents Pretty Sick with Bleak Mystique on Friday, October 28th. ‘Makes Me Sick, Makes Me Smile,’ the new album by Pretty Sick, sees London-by-way-of-New York Sabrina Fuentes juxtapose a life between two cities where destiny is shaped by the force of our own hands. A fully-realized, visceral experience that’s both blunt, bleak and stubbornly romantic, it weaves together the heady visions of prior EPs ‘Come Down’ and ‘Deep Divine’ into an uncompromising portrait that’s point-blank and personal. Fuentes penned lyrics between New York and London, and the album maps out the fault lines within each city. “I’d rather die than let you go / and you’ll die before you let me,” she sings in the opening chorus of the anthemic “Yeah You,” one of the many times ‘Makes Me Sick, Makes Me Smile’ contemplates the complex ties of finding a home within a scene, which Fuentes explains “is a breakup letter” to the city. Fuentes grew up in Manhattan, and assumed she’d carry on working after various fashion internships at VFILES and Helmut Lang, until she had a life-changing conversation at a dinner party where an acquaintance pulled her aside and was adamant she get out. Now recently graduated from Goldsmiths in London, where she met and was living in a house with guitarist Orazio Argentero (who also plays in South London experimental outfit Paddywak),‘Makes Me Sick, Makes Me Smile’ feels washed in the low-lit, reflective glare of both cities, a documentation of the all-consuming nature of living in a place that demands all of you. Pretty Sick itself, which has been helmed by Fuentes since her early teens, showcases that determination: the continued evolution of the band is itself a roadmap of relationships steeped in collective experience, anchored by Fuentes singular vision. Original drummer Ava Kaufman returns for the new record, which was produced by Paul Kolderie (Pixies, Radiohead, Hole),and each new collaboration feels like a tangible hallmark of continual resurrection. Track title “Saturn’s Return” references the astrological concept of growth through enduring trials and tribulations, and despite the uneasy undertones that are pervasive through the record, more than anything, Fuentes emphasizes the fact that you can come back. The album stands on its own as a compact piece of time, as well as a space where the blurred lines of early years running around New York finally solidify into something greater, where they can actually be seen at face value. “I’m in a supernova,” she elucidates on the cathartic “Drunk,” before asking “is this what you expected?” In the end, it’s Fuentes trust in herself and her often split second decisions that persists, more than any heavenly purpose. ‘Make Me Sick, Makes Me Smile’ asks a lot of questions: of New York, of ourselves, of where we’re going and where we belong. “Maybe we can ride off in the sunset,” she remarks acerbically on the unsentimental grunge of “Heaven,” but what she really means is: maybe our fate is something we can aspire to after all.- 16+, under 16 admitted with ticketed guardian

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