Yuuf w/ Jambert
Lost Lake Presents Yuuf with Jambert on Saturday, November 8 — British band Yuuf is Anthony Boatright on bass, Hugo Cottu on guitar, Andrin Haag on handpan and percussion and Oliver Overgaard on drums. The four band members all originate from different countries ( France, Switzerland, Denmark and England,) and draw from their cultural backgrounds when composing in their current home and founding place, London. Yuuf naturally blends their diverse musical tastes from around the world to shape the sound of their dreamlike, sun-streaked, rich and organic instrumental music. Expect to relax into a meditative state while listening to their records, but also expect nothing more than pure energy and joy from their live shows. Known for putting on dynamic performances, and taking you from pure shimmering ambience to heavy driving grooves, that keep you dancing into the sunset. The band’s early moments showed them on renowned stages in London such as The Lexington which was one of various sold-out DIY shows in their hometown. A stunning YouTube live session of their debut EP In The Sun presents them in a mystical forest and currently counts an impressive 2M organic views. These beginning stages stay ingrained within their ethos as a band, as musicians and as a group of friends, making sure at the forefront of their music there is honesty, dedication, care and a passion for their craft and art. Yuuf are releasing their newest EP “Alma’s Cove” on Ninja Tune & Technicolour on June 20th. It will be followed by another EP in October 2025. Their newest singles Alma’s Cove and Iman have already proven to be resonating with an even wider and more devoted audience. Yuuf continue delivering captivating and entertaining music for audiences from all over the world. This lines them up to be a band known for their ever-expanding, uplifting and unique sound. On stage, the band has this unique ability to take the audience on a journey through a full palette of emotions. The band will be performing the European festival season this summer, followed by their debut US and European tour in the fall 2025. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Flycatcher w/ Roseville + Manny.
Lost Lake Presents Flycatcher with Roseville and Manny. on Wednesday, September 3 — Bar open: 5:30pm Doors open: 6:30pm Show: 7:30pm All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Florry w/ Dari Bay
Lost Lake Presents Florry with Dari Bay on Tuesday, November 11th. A far cry from the cool, calculated distance and reserved posture that is all-too-familiar to the indie-rock sphere, Florry, the Philly bred septet and songwriting vehicle of bandleader Francie Medosch, are marking their territory as a band resolving to do something very different: they are having a really good time out there. Cutting her teeth in the Philadelphia DIY scene starting in 2019 as a student at Temple University, the early days of Florry found Medosch at the end of her teenage years releasing a slew of singles and EP’s in a familiar idiom of lo-fi bedroom recordings tinged with country melancholy. A lot has changed since then. Most importantly, perhaps, the project snowballed into a barn-burning seven piece rock band in the proceeding years; and without sacrificing any of the emotional immediacy that’s come to define Medosch’s brashly earnest, bleeding-heart lyrical style, you’re unlikely to find her lingering as much on the melancholy these days. Or, as Medosch plainly puts it in regards to Sounds Like… , the band’s forthcoming LP: “The Jackass theme song was actually a really big influence on the new album” The release of their 2023 formal full-length debut The Holey Bible (via Dear Life) found Medosch now flanked by six bandmates and trafficking in a wider, more rock-oriented approach with the bravado of someone with a new lease on life. With Jon Cox (Sadurn, Son of Barb) on pedal steel, John Murray on electric guitar, Colin Dennen on bass, Will Henrikson on fiddle, Katya Malison (Doll Spirit Vessel) on Vox, and Joey Sullivan (Bark Culturr) on drums, Florry 2.0 had arrived. The retooled seven-piece embraced a lengthy run of tours dialing in their new kinetic sound and freewheeling chemistry including runs with Fust, MJ Lenderman, Greg Freeman, and Real Estate. Greeted to critical acclaim upon its release, with positive notices from outlets including Pitchfork, Stereogum, Paste, and Brooklyn Vegan, the album quickly introduced Florry to an expanded audience and pointed a way forward for Medosch and the band at a time when the future wasn’t so clear. “I had a job lined up selling insurance, I guess I figured that was that, you know?” As it turns out, that was not that. A few days went by, and then the phone started ringing. From managers, from booking agents, from indie-rock elder statesman Kurt Vile, who took the band on the road in support of his 2023 Back to Moon Beach LP. On the winkingly titled Sounds Like… , the band’s second full-length release via Dear Life, Florry is picking up right where they left off in 2023. Again upping the ante with a bigger, brighter, more abrasive sound that resembles something closer to Rolling Thunder Revue-era Bob Dylan than their humble DIY roots. Across ten tracks, the band wear their influences on their sleeve while carving out a space that is distinctly their own, blending raw honky-tonk grit and rich instrumental textures with the disarming sincerity and intimacy of the group’s lo-fi beginnings. It’s a record about searching—searching for home, for love, for meaning, and for a sound that captures it all. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Phase 30 w/ Wampus Cat + Jawa
Lost Lake Presents Phase 30 with Wampus Cat and Jawa on Friday, August 15th. Bar open – 6pm Doors – 7pm Show – 8pm All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Deep October w/ fats’e, Lil Narnia, polearm, Yung Kell + Flowers For You
Lost Lake Presents Deep October with fats’e, Lil Narnia, polearm, Yung Kell and Flowers For You on Friday, August 22nd. Bar open – 6pm Doors – 7pm Show – 8pm All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Telescreens w/ Grey Matter Circus + Mr. Atomic
Lost Lake Presents Telescreens with Grey Matter Circus and Mr. Atomic on Monday, November 3 — All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
I’m A Boy w/ Toddy Ivy, Gata Negra + Red Tack
Lost Lake Presents I’m A Boy with Toddy Ivy, Gata Negra and Red Tack on Friday, August 29th. Bar open – 7pm Doors – 8pm Show – 9pm All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Scowl w/ Glixen + Public Opinion
Convulse Records Presents Scowl with Glixen and Public Opinion on Friday, July 25 — Scowl is a band that sounds exactly like their name implies. Venomous, fierce, antagonistic. A sneer not to be crossed. Over the last five years, the Santa Cruz, California, band has firmly planted their flag in the hardcore scene with their vicious sound and ripping live show, sharing stages around the world with Circle Jerks, Touché Amoré, and Limp Bizkit, and filling slots at prominent festivals like Coachella, Sick New World, and Reading and Leeds. But with their new album, Are We All Angels (Dead Oceans), Scowl is aiming to funnel all that aggression through a more expansive version of themselves. Much of Are We All Angels grapples with Scowl’s newfound place in the hardcore scene, a community which has both embraced the band and made them something of a lightning rod over the past few years. Standout single “Not Hell, Not Heaven” outright rejects the narratives cast onto them by outsiders. “It’s about feeling victimized and being a victim, but not wanting to identify with being a victim,” explains vocalist Kat Moss. “It’s trying to find grace in the fact that I have my power. I live in my reality. You have to deal with whatever you’re dealing with, and it ain’t working for me.” The band breaks from a sense of disassociation to seek deeper connections on “Fantasy.” “It’s incredibly challenging to try to balance my love for the scene while also feeling, in some spaces, extremely alienated and hated,” Moss says. “‘Fantasy’ is about feeling like I don’t know how to connect with these people anymore, because I have shelled myself away so hard.” The album ends in a philosophical place on the closing, titular track, “Are We All Angels,” asking questions like, “Is this all there is?” and ultimately putting it on the listener to decide. “It’s about the personal struggle between good and evil. It doesn’t matter how ‘good’ or ‘bad’ you are, there are systems that will try to rewrite your narrative no matter what you actually do,” explains Moss, noting that punctuation on “Are We All Angels” has been deliberately omitted in an attempt to leave the statement open-ended. Are We All Angels is the highly anticipated follow-up to Scowl’s debut, 2021’s How Flowers Grow, a 16-minute primal scream over punishing riffs. But amidst the pounding chaos, it was the record’s sonic outlier, a cleaner interlude called “Seeds to Sow,” that, true to its name, planted the seed for what was to come for the band. “It kind of laid out this destiny for us, and I feel like now we’re fulfilling that,” says drummer Cole Gilbert. The band continued to expand their sound on 2023’s widely acclaimed Psychic Dance Routine EP, incorporating more pop hooks and favoring gentler singing over heavy screaming, paving the way for what would come next. Scowl’s growth got a huge boost from producer Will Yip (Turnstile, Title Fight, Code Orange, Balance and Composure), who broadened the band’s scope. “Will would say, ‘Everything you have here is correct, but it’s in the wrong place,’” says Gilbert. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Tree Squid w/ The Patient Zeros + MF Lite
Lost Lake Presents Tree Squid with The Patient Zeros and MF Lite on Thursday, August 21st. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Suzzallo w/ Tinsley + Brass Tags
Lost Lake Presents Suzzallo with Tinsley and Brass Tags on Saturday, September 20th. Suzzallo (pronounced Sue-Zuh-Low) is a new Seattle based rock band fronted by Rocky Votolato. After the devastating loss of his child in a tragic car accident, Votolato created an entire new world inside of aggressive rock songs that transmute extreme grief into something healing and beautiful. Suzzallo’s debut album “The Quiet Year” is an explosive eulogy filled with cathartic alt-rock anthems that bring the energy of the 90’s back to life. This a return to form for Votolato, who Rolling Stone once lauded as having a “nuanced command of the folk idiom”, but who started out playing in louder bands, like Waxwing, who gained an underground cult following in the mid-2000s Pacific Northwest punk and hardcore scene. Suzzallo’s music taps into that same spirit: blistering guitars, soaring choruses, and poignantly impactful lyrics–all with a volume and intensity that surpasses any of Votolato’s previous work. With Rudy Gajadhar joining on drums (ex-Waxwing), Steve Bonnell on bass (ex- Schoolyard Heroes) and teaming up with legendary producer John Goodmanson (Sleater-Kinney, The Blood Brothers, Unwound) Suzzallo recently finished recording their debut album at Robert Lang Studios in Seattle, WA – released on Thirty Something Records in the spring of 2025. Ben Gibbard (Death Cab For Cutie / The Postal Service) is featured on several songs, lending his incredible talents to the album with beautifully placed back-up vocals, electric guitar, bass 6, and piano. VIP UPGRADE DOES NOT INCLUDE ADMISSION: VIP UPGRADE INCLUDES: 3 Song Acoustic Performance Meet & Greet + Photo Op w/ Suzzallo Exclusive Suzzallo VIP Laminate and Lanyard Suzzallo Sticker Pack Early Entry Pre Show Merch Access The VIP upgrade does NOT include a ticket to the show. All VIP package items will be available for pickup at Will Call. Final details, including the exact time of the VIP experience will be emailed to you no later than one week before the event. Bar open – 6pm Doors – 7pm Show – 8pm All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.