The Ivy & Lyncs + Sunstoney
Lost Lake Presents The Ivy and Lyncs and Sunstoney on Monday, March 31 — All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Green Druid w/ Daytripper + Shepherd
Lost Lake Presents Green Druid with Daytripper and Shepherd on Sunday, March 16th. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
The Dangerous Summer w/ Elektric Animals
Lost Lake Presents The Dangerous Summer with Elektric Animals on Wednesday, March 12 — The Dangerous Summer signed their first record deal as high school seniors and quickly established themselves among the alt-rock world’s elite. Passionate delivery, confessional authenticity, and deeply resonant musical storytelling define their sound. The band writes hooks that serve as soundtracks for important life moments for a diverse group of listeners spread across the globe. The audience is more family than a fanbase. The community feeling is apparent at every gig, from Slam Dunk to Riot Fest, from touring with State Champs to headlining shows. Reach for the Sun is the record that “shot them into the pop-punk pantheon” (Kerrang!). Powered by unshakeable, enduring alt-rock anthems, the Ellicott City, Maryland band’s debut album made them heroes of the Warped Tour world, all while they carved their own unique path. 2011’s War Paint was a sophomore-slump-smashing follow-up. Grantland likened the “tall and wide” riffs of 2013’s Golden Record to The Hold Steady and U2. (“Catholic Girls” even earned The Danger Summer praise from the famously discerning Pitchfork.) Alternative Press saluted The Dangerous Summer as a group that stayed true to their sound, praising the songs on their 2018 self-titled comeback album as equal parts charismatic and addictive. 2019’s Mother Nature conjured an emotional storm, with an uplifting bent. Underoath’s Aaron Gillespie appeared on the 2020 EP, All That Is Left Of The Blue Sky. Produced by Will Beasley (Turnstile, Asking Alexandria), 2022’s Coming Home ushers in a new era for TDS. The Dangerous Summer never sacrificed their unique, diverse sonic identity, one that appeals to fans of everything from Kings Of Leon and Coldplay to Jimmy Eat World and Bright Eyes. Coming Home is a triumphant summary of what The Dangerous Summer is all about, past, present, and future. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Terra Colonial w/ The Matt Bloom Band, 3XCharm + Just A Feeling
Lost Lake presents Terra Colonial with The Matt Bloom Band, 3XCharm and Just A Feeling on Sunday, March 2nd. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Slow Joy w/ NVM + Creek
Lost Lake Presents Slow Joy with NVM and Creek on Saturday, March 22nd. When Esteban Flores started releasing singles under the moniker Slow Joy in 2020, it didn’t take long for his music to gain momentum. In particular, a pair of 2022 singles, “Crawling” and “Soft Slam,” connected with fans thanks to an evocative, sensitive combination of soaring space rock, noisy shoegaze and dynamic post-rock. “I only shared my music because I wanted people to hear it, not because I was trying to get a career,” Flores says. “Lo and behold, the universe then let me have a career out of it.” Despite this initial success, before the release of Slow Joy’s debut EP, 2023’s Wildflower, Flores was unsure whether he wanted to continue doing music. He was working in marketing and looking at settling down, buying a house and exploring other hobbies. But while talking with a therapist to process his mother’s death, Flores had a change of heart. “I told my therapist, ‘I keep wanting to write songs, but I know it’s not good for me,’” he says. “And she was like, ‘Why is it not good for you?’ And once it clicked in my head that it wasn’t a pursuit, it was an art project, I realized, ‘Oh, okay, this is the music that actually matters to me.’” The passion and heart that Flores pours into Slow Joy shine even brighter on his second EP, Mi Amigo Slow Joy. Although the EP’s underlying influences are similar as that of past releases, the arrangements are crisper and each instrument is more defined within the simmering mixes. This leads to poppier moments such as the fuzz-coated “4U” and a towering chorus on the Foo Fighters-meets-Pixies “Pulling Teeth,” while the sonic highs and lows of “Lay Me Out, I’m Out of My Mind” and the urgent, anguished “King Cowboy,” are bigger and more emotional. “I always say there’s a beautiful art in making a song so simple—or so distilled, I guess is a better way to say that—that even a person who wasn’t into your other stuff would understand it,” Flores says. “Instead of writing the most complicated song, it’s like, ‘How do I distill this emotion to the simplest form so it has a depth and gravity that anybody will feel?” At a recent sold-out homecoming show in Albuquerque, Flores saw the profound impact Slow Joy is having on others. “I had a line of people come up and tell me that it meant so much to them that I was championing this culture in this scene,” he says. “And I think as we all continue to evolve for a better future, we try to just continue to represent ourselves and our culture as much as we possibly can. To me, the more representation, the better. And I’m thankful that the people who felt maybe like I did can now have more archetypes that they can say, ‘Well, if he can do it, then someone else can do it.’” All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Red40 w/ cLub, Unknown Delta + JVANS DJ Set
Lost Lake Presents Red40 with cLub, Unknown Delta and JVANS DJ Set on Friday, February 28th. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Zoë Coz w/ Zoe Stroupe + DataMen
Lost Lake Presents Zoë Coz with Zoe Stroupe and DataMen on Thursday, February 20th. All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time. .
Next to Blue, Gloomi, Paark + Joywalk
Lost Lake Presents Next to Blue, Gloomi, Paark and Joywalk on Sunday, February 23 — All ages, ticketed under 16 guests admitted with ticketed parent or guardian
Bob Sumner w/ Elijah Petty & The Part-Times + Kyle Warner
Lost Lake Presents Bob Sumner with Elijah Petty & The Part-Times and Kyle Warner on Thursday, February 13th. Singer-songwriter Bob Sumner cites the musically progressive sensibilities of his heroes when talking about the spirit of his new album, Some Place to Rest Easy, out now via Fluff & Gravy (worldwide) and North Country Collective (Canada). “They were always creating something new, something different,” he says of idols like George Jones, Willie Nelson, and Waylon Jennings. With that ideology in mind, Sumner set about creating an album that takes as much inspiration from the audio production of Randy Travis as it does the lyrical soul of Big Thief’s Adrianne Lenker—a melding of eras, sounds, concepts, and stylings that’s informed by the past, but never bound by it. With Some Place to Rest Easy, Sumner picks up the tempo compared to his previous releases, balancing the stirring lyrical depth fans have come to expect with a more buoyant, lively feel. “It felt appropriate to give the music itself some joy,” says the man who’s made a career out of tapping into difficult-to-touch-on, real-life stuff in a relatable, palatable manner. In the end, that’s what Sumner’s music has always been about—more than a single sound, influence, instrumental, or clever line. “I always want people to feel something,” Sumner explains. “If I heard that this album helped somebody that was feeling down, even just by feeling some other emotion for a little while, that’s the number one thing for me.” Fans can now stream or purchase Some Place to Rest Easy at this link. PRESS “A blend of past, present, and future sounds” American Songwriter “Genuine and weighty songwriting” Americana Highways “High class, country leaning Americana.” Americana UK “It takes a deft hand to put out a good, sad record…Bob Sumner nails it on Someplace To Rest Easy.” Twangville “This [Some Place to Rest Easy] is a preacher’s yarn, after that preacher done thrown it all away but the love, and is free to share the wisdom.” Saddle Mountain Post All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.
Sydney Sprague w/ Pony + Silver & Gold
Lost Lake Presents Sydney Sprague with Pony and Silver & Gold on Saturday, March 15 — “Sydney Sprague channels her sadness, anxiety, and existential dread through driving guitars, shimmering melodies, and the deceptively sweet weapons of indie pop-rock and keen observation. Self-aware with a knowing injection of dark humor, her songs summon the best of 90s alt-rock and classic power-pop without sacrificing a melancholy befitting of the end times. Her music is intimate, vulnerable, confrontational, autobiographical, and strangely uplifting. Her sophomore record, somebody in hell loves you, is as devilishly saccharine as the title implies, boldly accessible and smart. The positive press, word-of-mouth, and a stellar tour with Jimmy Eat World and Dashboard Confessional helped make organic streaming hits out of songs like “steve,” “quitter,” and “i refuse to die”; “object permanence” boasts nearly 1 million streams on Spotify alone. “As a smaller artist, it’s almost impossible financially,” Sydney says of her relentless schedule. “But I love it so much.” Sydney wrote most of somebody in hell loves you during the pandemic lockdowns, and yet, it’s decidedly less angsty than its predecessor. “And not because I’m a less angsty person,” she clarifies. “Obviously, none of us were in a good place in 2020. It was a depressing time. But I didn’t want to wallow in that. I wrote more as an exercise to distract myself from my woes.” A lot of the songs became observational storytelling, exploring the drama of people around her and revisiting her past.” All ages, ticketed guests under 16 ONLY ADMITTED WITH TICKETED GUARDIAN 21+ All sales are final. Check your tickets carefully, NO REFUNDS FOR ANY REASON Your name will be on the Will Call list the night of the show at doors time.