Ipecac (EP release show) w/ Rocket Surgeons + Capture This
Lost Lake Presents Ipecac (EP release show) with Rocket Surgeons and Capture This on Saturday, September 23rd. – 16+, under 16 admitted with ticketed guardian
Cactusheads w/ Weird Cities + No Caption
Lost Lake Presents Cactusheads with Weird Cities and No Caption on Friday, September 1st. No Caption open.spotify.com – 16+, under 16 admitted with ticketed guardian
Aidan Bissett: Supernova Tour w/ Anna Shoemaker
Lost Lake Presents Aidan Bissett: Supernova Tour with Anna Shoemaker on Friday, November 3 –At just 20-years-old, Aidan Bissett has perfected the art of twisting heartbreak into exhilarating music. Since breaking through with a series of self-produced singles in 2020—and signing to Capitol Records—the Los Angeles-based artist has earned an adoring global fanbase irresistibly drawn to his guitar-driven alt-pop and confessional yet carefree songwriting. 2022 saw Bissett release his EP, ‘I’m Alright If You’re Ok’, featuring standout tracks “Tripping Over Air”, “All That I’m Craving”, and “Twenty Something” and tour with Claire Rosinkranz, Lauv, and The Greeting Committee. 2023 has seen Bissett release a new batch of resonant singles, “Out Of My League” and “Bloom”, and toured with VALLEY across North America. He embarks on his debut headline tour this fall.VIP PACKAGE Meet & Greet and Photo with Aidan Bissett Exclusive Soundcheck Performance One (1) Exclusive Gift One (1) Commemorative, Signed VIP Laminate Venue First Entry (1 Hour Before Doors) – 16+, under 16 admitted with ticketed guardian
The Bros. Landreth: Come Morning Tour w/ Roman Clarke
Lost Lake Presents The Bros. Landreth: Come Morning Tour with Roman Clarke on Friday, September 29th. The Bros. Landreth welcome a new day with Come Morning, an album that marks both a rebirth and refinement of the JUNO-winning band’s blend of North American roots music and harmony-heavy soul. The most immersive, emotive record of the Landreths’ career, Come Morning finds brothers Joey and Dave lacing their melody-driven songs with layers of atmospheric synth, organ, and textured guitar. The group’s previous albums shone a light on their strength as a live act, capturing the spontaneity and sonic stomp of a band of hard-touring road warriors. If those records unfolded like snapshots of The Bros. Landreth’s nighttime shows, then Come Morning sketches a markedly different picture, showcasing the introspection and clarity that comes with a long period of rest. For Joey and Dave, rest wasn’t always an easy thing to find. After pursuing separate careers as sidemen, they launched The Bros. Landreth with 2013’s Let It Lie, a debut album that drew upon the shared soundtrack of their childhood—Bonnie Raitt’s blues, Little Feat’s funky country-rock, Ry Cooder’s eclectic instrumentals, Lyle Lovett’s twangy traditionalism—for a sound that saluted the past while planting its flag firmly in the present. Let It Lie was a hit on both sides of the Atlantic, winning the 2015 JUNO Award for “Roots & Traditional Album Of The Year-Group,” earning The Bros. Landreth a nomination for “International Artist of the Year” at the 2016 UK Americana Music Awards, and receiving praise from heroes like Bonnie Raitt. Years of near-constant touring in support of its release left the brothers exhausted, however, and the band took a three-year break before regrouping for 2019’s ’87.When the Covid-19 pandemic brought ’87’s accompanying tour to a halt, Joey and Dave began recording a new batch of songs in near-seclusion, pulling long hours in the studio and building songs one instrument at a time. They layered, experimented, and twisted sounds into something new, working alongside longtime co-producer Murray Pulver and a small group of guests. What emerged from those sessions was Come Morning: a transportive album built for the heart, the head, and the headphones.- 16+, under 16 admitted with ticketed guardian
Bombargo w/ Tiny Tomboy
Lost Lake Presents Bombargo with Tiny Tomboy on Thursday, September 21 –Bombargo is a Canadian based international touring band that drops a vibrant splash of soul over their distinctive ‘vintage-pop’ sound. Well known for bringing unrivaled energy to the stage with sing-along anthems, double-brother harmonies, and a powerful message that combined make for one of the most captivating live shows ever! Frontman Nathan Thoen’s passionate conviction and ‘Jagger-like’ dance moves even impressed billionaire and music industry icon Sir Richard Branson, quoting “I haven’t seen this type of energy since The Rolling Stones!” – and he would know, having personally signed The Rolling Stones to Virgin Records.The band began with lead singer Nathan Thoen and guitarist Spencer Chilliak after the two spontaneously met and drove 16 hours to attend Sasquatch Music Festival where they became inspired to start a band. The duo wrote their debut single “Let It Grow” during their very first writing session and as part of Bombargo’s debut EP Back on Main which would go on to be included in “The Top 10 Best Saskatchewan Albums of 2015” by SaskMusic. This further inspired them to continue writing, touring, and release their first full-length album titled We Are Bombargo. The group has since evolved into a 7-piece touring band adding Nathan’s brother Anthony Thoen on guitar, additional brothers Matt and Sammy Folkersen on keys and bass respectively, Connor Newton on saxophone, and Niall Cubbon on drums.Bombargo went on to receive massive acclaim when pop star icon Taylor Swift added their 2018 single “Mr. No Good” to her Spotify Playlist titled “Songs Taylor Loves” alongside mega artists including Ed Sheeran, Camilla Cabello, and Kendrick Lamar. Being the only unsigned band on this star-studded playlist saw Bombargo featured on CBC’s the Q, NME, Exclaim, Fashion, Noisey, People, and Billboard. This success was followed up by the release of their most successful single to date – “Oxygen” which pushed Bombargo into the Canadian Hot AC Top 40 Charts for the first time in the fall of 2019. The band also made its US touring debut in late 2019 with their 33 date “North American Dream Tour” which kicked off with Bombargo playing the sold-out Roughriders Labour Day Classic Half-Time Show to over 33,000 people. The band’s highly anticipated US debut at Hotel Cafe in Hollywood, CA gained heavy press coverage including a raving article in Billboard Magazine.Bombargo has opened for legendary acts including John Butler Trio, Michael Franti & Spearhead, Joel Plaskett and most recently performed on the Okeechobee festival main stage in Florida with over 40,000 in attendance. They have surpassed 4.5 million streams on Spotify, received over 715,000 views on YouTube, and were nominated for the Saskatchewan Music Awards “Pop/Rock Artists of the Year” in both 2018 and 2019. In August of 2020 the band landed a ‘most excellent’ cameo in the hollywood blockbuster “Bill & Ted 3: Face The Music”. There’s no doubt Bombargo will continue spreading The Goodtime GuaranteeTM long into the future with the release of their new album ‘nubula.’ (released in May of 2022), and upcoming “Goodtime Guarantee Tour” this coming fall.- 16+, under 16 admitted with ticketed guardian
Boyscott w/ Nova One + People in General
Lost Lake Presents Boyscott with Nova One and People in General on Friday, October 6 — Boyscott: Punctuating wistful, daydreamy indie rock with surfy guitar hooks, Boyscott took shape in college dorm rooms and grew into a fully formed band. The loose collective that made up the project completed their whimsically drawn 2015 debut Goose Bumps before ever playing live. Boyscott began in 2015 as an outlet for singer/songwriter Scott Hermo’s recording experiments while he was attending college in Nashville, TN. Hermo recorded in his dorm room and sometimes enlisted friends to help flesh out his light and breezy indie tunes. Fellow schoolmates and musicians Emma Willer, Tiger Adams, John Lewandowski, Ellen Ivy McGuirk, and Noah Miller joined him to bring a live energy to Hermo’s recordings and together, the group completed debut album Goose Bumps and self-released it in late 2015. When Boyscott began playing live, school commitments kept a solid lineup from forming, but Hermo enlisted a rotating cast of friends and musicians, including Davey Alaimo of Bunny Boy and Noah Dardaris of Another Michael, to play shows and go on tours. The band’s acclaim grew organically through consistent touring and their album, which caught on in a grassroots fashion. A physical release of Goose Bumps arrived in 2019 as a joint release from Top Shelf Records and Babe City Records. Nova One: Since their debut in 2018 via a six-track EP titled secret princess, released through Community Records, Providence’s own NOVA ONE has continued to create lush, nostalgic soundscapes complemented by the movingly honest performance and, at times, anthem-like quality we find in the songwriting of Roz Raskin. Building on the 60s-inspired pop of their 2020 release (debut album, loveable) NOVA ONE’s newest project, create myself, is a continuation of a deeply human conversation around self-acceptance through a prismatic and complex lens, befitting of an experienced musician like Raskin. The album is co-produced and performed by Raskin, Bradford Krieger, and Chaimes Parker at Big Nice Studio in Rhode Island, and is bolstered by supporting musicians Casey Belisle, Emily Dix Thomas, with vocals from Anjimile Chithambo. If secret princess was in many ways an homage to the power and impact of 60’s girl groups (femme-drag beehive wigs and all) here we find a record filled with the cathartic angst and washed sonic quality of 90s indie-rock, with dabbled inspiration from Studio Ghibli films, the sounds and influences of planets, and DIY zines and comic book culture (a self-reference to Raskin’s own hand-drawn comics that serve as the origin of the futuristic, gender-fluid stage presentation of NOVA ONE). With emotional and sweeping synth and crunchy high-energy guitar licks, create myself masterfully moves between the tension of forgiveness and regret in the wake of intimacy–through queer confessions, reflections on the impact of over-drinking, the wonder of young love. Raskin holds us there in a question without forcing a conclusion, wrestling with the ideal of acceptance—for ourselves, even in our shame, and for our complicated others. – 16+, under 16 admitted with ticketed guardian
Crystal Ball Express w/ Llano, FordOhhFord, thrshld + Sefh
Lost Lake Presents Crystal Ball Express with Llano, FordOhhFord, thrshld and Sefh on Monday, September 4th. – 16+, under 16 admitted with ticketed guardian
Emei w/ Lulu Simon
Lost Lake Presents Emei with Lulu Simon on Sunday, November 12 — 16+, under 16 admitted with ticketed guardian
Octopus Tree w/ Such As I Am
Lost Lake Presents Octopus Tree with Such As I Am on Sunday, September 3rd.- 16+, under 16 admitted with ticketed guardian
Iguana Death Cult w/ Moonlight Bloom
Lost Lake Presents Iguana Death Cult with Moonlight Bloom on Wednesday, September 13th. After the pandemic hit, and the people of the world suddenly grew wary and suspicious of one another, Iguana Death Cult, one of Europe’s most exciting rock exports, became more than just a band to its members—it became therapy. “I think for the first ten times we went to jam,” says guitarist/vocalist Tobias Opschoor, speaking about the process of making the new album Echo Palace, “we just drank wine and talked about it, and just kept on talking for hours—and then were like, ‘OK, I have to go because I have to work tomorrow.’” Taking place at frontman Jeroen Reek’s apartment in the Dutch city of Rotterdam, these gatherings slowly shifted from talking about this surreal chapter of their lives—the days of quiet streets and cramped buildings—to making music about it. “I was living in a really crappy, leaky, ready-for-demolition apartment,” explains Reek, “with just one heat source—like a really old-school, gas stove kind of thing.” Working on cold nights, they had to gather around that heater together—a cozy approach that ultimately got their creative flow going, fast. Armed with the talents of Justin Boer on bass and Arjen van Opstal on drums, and tapping the keys work Jimmy de Kok for the first time on album, the band took their trademark melodic garage-rock style and expanded it out to make it vibier and looser, with each member contributing ideas to develop the sound palette in full. “We all get into this sort of blender and then everybody gives a little bit of a flavor to it,” says Opschoor. The sounds they started to make tapped into the band’s acerbic bite established on their first two LPs, 2017’s The First Stirrings of Hideous Insect Life and 2019’s Nude Casino—albums that sometimes felt like Parquet Courts colliding with Super Furry Animals. (Paste described Nude Casino as evoking “the colorful mischief of nights out where even a humdrum accountant can feel like a Clint Eastwood desperado.”) Their explosive performances of these records turned them into a cult live act among psych fans, who have thrashed to the band everywhere from Amsterdam to Austin. (It was during a particularly bananas set at SXSW that the band won over Innovative Leisure.) But working on this new album, huddled together as the world split apart, everything began to flutter like Remain in Light. Echo Palace may be the Iguana Death Cult music that’s most overtly about the strange cause and effect of groupthink, but the theme has been lurking there since the very beginning, when the band was first formed by childhood friends Reek and Opschoor over ten years ago. The name of Iguana Death Cult is a partial nod to Reek’s fascination with cults in general—and the “Iguana” part is a nod to Iggy Pop, whose first band was the Iguanas. – 16+, under 16 admitted with ticketed guardian
