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3602 E. Colfax, Denver, CO 80206
2 Blocks East of Bluebird Theater
303.296.1003

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Genre: Concerts

fish narc & Horse Head w/ Zubin + Glixen

Lost Lake Presents fish narc and Horse Head with Zubin and Glixen on Tuesday, March 19 — fish narc began in 2013 as a clean break from singing and performing in bands, which Ben Friars-Funkhouser had done since he was 16. Ben joined Thraxxhouse and Gothboiclique after teaching himself Ableton Live, and began to integrate guitar playing and rock songwriting into his beatmaking and production. He produced songs for Wicca Phase Springs Eternal, JuiceWRLD, and Lil Peep, including his final project: Goth Angel Sinner. Since 2019, Ben’s returned to writing and performing his own songs, releasing the albums WiLDFiRE in 2020 and Camouflage in 2022. 2023 will see fish narc drop two full lengths and an EP, and touring North America and Europe with a full live band. With his musical project Horse Head, Chris Thorne has pioneered the fusing of emo, pop-punk, and indie elements with hip-hop. Initially gaining distinction as a producer, Horse Head has become well known for his distinctive vocal delivery and poignant lyrics which resonate with listeners as he sings about experiences with loneliness, depression, and heartbreak. Growing up in Orange County, California, Horse Head was the frontman of various bands, most notably forming the indie trio Tan Dollar in 2010. In 2013, he began to deviate from performing in groups, producing various hip-hop beat tapes instead. Horse Head soon joined the underground musical collective Thraxxhouse, connecting with artists Cold Hart, Wicca Phase Springs Eternal, and Lil Tracy. The frequent collaborators quickly formed their own niche collective: GothBoiClique. As a member of the renowned group, Horse Head released a triad of projects in 2016, including True Blue, Celebrity Crush, and Lock & Key. Horse Head also produced numerous tracks for the late Lil Peep’s breakthrough mixtapes Crybaby and Hellboy, and also featured as a vocalist on their notable single “Girls” and “Stop the Car.” In 2017, Horse Head issued his independently released, fish narc produced, album This Mess Is My Mess. Horse Head has just announced his 2019 debut studio album We Had Our Fun, which features live instrumentation by YAWNS as Horse Head returns to his alternative indie roots. — Jack Angell – 16+, under 16 admitted with ticketed guardian

Coastless Creatives presents the Unofficial Denver Music Scene Holiday Party & Award Show

Coastless Creatives presents the Unofficial Denver Music Scene Holiday Party & Award Show Featuring Corsicana, Citizen Tempest, Bennet Louis, Alive At Nine, The New Creep, Heather Hunt, Jonah Ausbun, Unicorn Hits, Grayson Ratliff, Death Wish, Cherokee Social, Fructose, Spitting Image, Gartener and Neon The Bishop on Saturday, December 23rd. – 16+, under 16 admitted with ticketed guardian

KGNU presents Nabihah Iqbal w/ STAR Inc. + DJ Ladybug

KGNU Presents Nabihah Iqbal with STAR Inc. and DJ Ladybug on Thursday, January 25th. In the early months of 2020, Nabihah Iqbal’s studio was burgled. All her work was lost, including her long-awaited album. Already suffering from a broken hand and a severe case of burnout, she felt helpless. While the forensic police looked for fingerprints in her studio, she received a call. It was her grandmother; her grandfather had suffered a brain haemorrhage. Nabihah got on a plane to Karachi, Pakistan the next day. As the Covid-19 pandemic surged, Nabihah spent the global lockdown finding resilience amidst the turmoil. “Going to Pakistan turned into a blessing in disguise,” she says. “It affected my perspective on music. At the time, being forcefully removed from the whole scenario of the burglary felt frustrating, but it was the best thing that could have happened.” Nabihah spent those months remembering why she made music in the first place. She went back to basics and bought an acoustic guitar and a harmonium. Alongside a loop pedal and voice notes, she spent the next two years crafting her album, ‘Dreamer’, a high-water mark for the London-born artist. “For the first time ever, I’ve made music where I’ve been more patient with it,” she says. “Normally, when you’re an electronic music producer, you go into the studio, switch your computer on and start working on Ableton or Logic and then build up from that. Whereas, I decided not to go near all that for ages, and I was also forced into this approach in a way, because of the studio burglary and then being in Pakistan, away from all my equipment. Instead, I had to let the ideas develop in my head.” – 16+, under 16 admitted with ticketed guardian

Channel 93.3 KTCL Presents Jhariah w/ Yasmin Nur + Cherokee Social

Channel 93.3 KTCL Presents Jhariah with Yasmin Nur and Cherokee Social on Tuesday, April 2 —  Since 2017, 22-year old Brooklyn-based musician and polymath Jhariah Clare (he/they), who records and releases music as Jhariah, has been building a thrilling, fiercely original musical universe. People have caught on quickly. His track “Flight Of The Crows,” from his 2021 EP A BEGINNER’S GUIDE TO FAKING YOUR DEATH, has racked up 10.5 million plays on Spotify. And Jhariah’s upcoming second LP is a manifesto of sorts for a new music culture—and it is his most daring, important work yet. This forthcoming release is a brain-expanding, borderless record that fuses dance-punk, emo, prog rock, and hardcore with pop, hip-hop, Latin dance, and more. This bold, brilliant blend of influences soundtracks a Gen-Z odyssey through self-doubt, family conflict, Catholic upbringing, and through it all, a desperate, iron drive to succeed, and to share art with the world. “The more I got into writing this album and the more I got to conceptualizing it, it kept getting bigger and grander, and I had all these wild ideas for what I wanted to do,” says Jhariah. “I wanted it to be the most monumental thing in the world.” Jhariah was impatient to release this record, but as they watched their contemporaries like Billie Eilish, Poppy, and 100 gecs mutate what pop could be, they saw the boundaries of genre being chipped away. We had entered an era where threads from Panic! At The Disco, My Chemical Romance, and System of a Down could coexist with tastes from Tech N9ne, Amine, Dua Lipa, and Lil Nas X. “I feel like everything is sort of shifting into place for this album,” they grin. Jhariah wrote and recorded the majority of the record in his childhood bedroom in his parents’ home, and when he moved out for college, he continued the process in the studio he set up in his first apartment. He still prefers to start his songs alone—he can take his time and make sure everything is just right—but to properly execute his vision, he worked with some trusted and loved collaborators.  The record’s ambition and energy are bottled in the breakneck sprint of lead single “RISK!,” an electric, impassioned cry for success: “I can’t take another day, I need some change/I need more to put behind my name,” Jhariah belts on the chorus, soaring into falsetto and back. The second verse dips into throttling hardcore before swerving back to its Latin-punk beat, and there are several other movements and genre plays before it seems like the track is done—but then it hums back to life with a dizzying boss battle music cue, and the groove slows down to a keys-led reggaetón slink. It’s Jhariah’s time. This album is the start of something new. It comes out in February. – 16+, under 16 admitted with ticketed guardian

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