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3602 E. Colfax, Denver, CO 80206
2 Blocks East of Bluebird Theater
303.296.1003

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Genre: Concerts

fish narc & Horse Head w/ Zubin + Glixen

Lost Lake Presents fish narc and Horse Head with Zubin and Glixen on Tuesday, March 19 — fish narc began in 2013 as a clean break from singing and performing in bands, which Ben Friars-Funkhouser had done since he was 16. Ben joined Thraxxhouse and Gothboiclique after teaching himself Ableton Live, and began to integrate guitar playing and rock songwriting into his beatmaking and production. He produced songs for Wicca Phase Springs Eternal, JuiceWRLD, and Lil Peep, including his final project: Goth Angel Sinner. Since 2019, Ben’s returned to writing and performing his own songs, releasing the albums WiLDFiRE in 2020 and Camouflage in 2022. 2023 will see fish narc drop two full lengths and an EP, and touring North America and Europe with a full live band. With his musical project Horse Head, Chris Thorne has pioneered the fusing of emo, pop-punk, and indie elements with hip-hop. Initially gaining distinction as a producer, Horse Head has become well known for his distinctive vocal delivery and poignant lyrics which resonate with listeners as he sings about experiences with loneliness, depression, and heartbreak. Growing up in Orange County, California, Horse Head was the frontman of various bands, most notably forming the indie trio Tan Dollar in 2010. In 2013, he began to deviate from performing in groups, producing various hip-hop beat tapes instead. Horse Head soon joined the underground musical collective Thraxxhouse, connecting with artists Cold Hart, Wicca Phase Springs Eternal, and Lil Tracy. The frequent collaborators quickly formed their own niche collective: GothBoiClique. As a member of the renowned group, Horse Head released a triad of projects in 2016, including True Blue, Celebrity Crush, and Lock & Key. Horse Head also produced numerous tracks for the late Lil Peep’s breakthrough mixtapes Crybaby and Hellboy, and also featured as a vocalist on their notable single “Girls” and “Stop the Car.” In 2017, Horse Head issued his independently released, fish narc produced, album This Mess Is My Mess. Horse Head has just announced his 2019 debut studio album We Had Our Fun, which features live instrumentation by YAWNS as Horse Head returns to his alternative indie roots. — Jack Angell – 16+, under 16 admitted with ticketed guardian

Coastless Creatives presents the Unofficial Denver Music Scene Holiday Party & Award Show

Coastless Creatives presents the Unofficial Denver Music Scene Holiday Party & Award Show Featuring Corsicana, Citizen Tempest, Bennet Louis, Alive At Nine, The New Creep, Heather Hunt, Jonah Ausbun, Unicorn Hits, Grayson Ratliff, Death Wish, Cherokee Social, Fructose, Spitting Image, Gartener and Neon The Bishop on Saturday, December 23rd. – 16+, under 16 admitted with ticketed guardian

KGNU presents Nabihah Iqbal w/ STAR Inc. + DJ Ladybug

KGNU Presents Nabihah Iqbal with STAR Inc. and DJ Ladybug on Thursday, January 25th. In the early months of 2020, Nabihah Iqbal’s studio was burgled. All her work was lost, including her long-awaited album. Already suffering from a broken hand and a severe case of burnout, she felt helpless. While the forensic police looked for fingerprints in her studio, she received a call. It was her grandmother; her grandfather had suffered a brain haemorrhage. Nabihah got on a plane to Karachi, Pakistan the next day. As the Covid-19 pandemic surged, Nabihah spent the global lockdown finding resilience amidst the turmoil. “Going to Pakistan turned into a blessing in disguise,” she says. “It affected my perspective on music. At the time, being forcefully removed from the whole scenario of the burglary felt frustrating, but it was the best thing that could have happened.” Nabihah spent those months remembering why she made music in the first place. She went back to basics and bought an acoustic guitar and a harmonium. Alongside a loop pedal and voice notes, she spent the next two years crafting her album, ‘Dreamer’, a high-water mark for the London-born artist. “For the first time ever, I’ve made music where I’ve been more patient with it,” she says. “Normally, when you’re an electronic music producer, you go into the studio, switch your computer on and start working on Ableton or Logic and then build up from that. Whereas, I decided not to go near all that for ages, and I was also forced into this approach in a way, because of the studio burglary and then being in Pakistan, away from all my equipment. Instead, I had to let the ideas develop in my head.” – 16+, under 16 admitted with ticketed guardian

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