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3602 E. Colfax, Denver, CO 80206
2 Blocks East of Bluebird Theater
303.296.1003

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Genre: Concerts

yungatita w/ J.Carmone

Lost Lake Presents yungatita with J.Carmone on Thursday, September 28 — – 16+, under 16 admitted with ticketed guardian

KGNU presents Erin Rae – Lighten Up And Try Tour w/ special guest Skyway Man

KGNU Presents Erin Rae – Lighten Up And Try Tour with special guest Skyway Man on Wednesday, September 27th.Three years after the release of her critically acclaimed debut, Putting On Airs, Nashville-raised singer-songwriter Erin Rae shares an intimate, honest, and playful version of herself through her sophomore album Lighten Up. Produced by Jonathan Wilson, and recorded in the musically hallowed grounds of California’s Topanga Canyon, the album represents a sonic and inner shift for Rae. In it, she embraces more of her influences, like baroque-pop, cosmic country, and indie-folk songs while mirroring amore compassionate self-view she calls “accepting my humanness”- 16+, under 16 admitted with ticketed guardian

Arch Echo w/ Stellar Circuits

Lost Lake Presents Arch Echo with Stellar Circuits on Sunday, November 5th. Arch Echo is the brainchild of five musicians who wish to push the envelope of modern music. Their goal is to create music that is not only complex, but accessible to the listener, delivered with passion and enthusiasm. Formed in 2016,Arch Echo exploded onto the progressive metal scene with a debut self-titled album that gained worldwide attention with popular tracks “Hip Dipper” and “Color Wheel”. Tours in North America and Europe soon followed, culminating with a mainstage debut at the UK Tech Festin2018. Arch Echo returned with a 2019 follow up “You Won’t Believe What Happens Next!” and again in 2020 with their 4-track EP, “Story I”. Tours with artists such as Dream Theater, Periphery, Haken, Plini, Vola and a co-headline Japanese tour withJacky Vincent brought their powerful live sound to new ears all over the world. Arch Echo’s 3rd album, “Final Pitch” will release on July 28th, 2023. This release with feature the amazing talents of guest artists Jordan Rudess (Dream Theater), Anthony Vincent (10-Second Songs), and Adrián Terrazas-González (The Mars Volta, T.R.A.M).- 16+, under 16 admitted with ticketed guardian

Mating Ritual w/ Loviet

Lost Lake Presents Mating Ritual w/ Loviet on Friday, November 10th.You’re invited to spend “An Evening With Mating Ritual”, featuring the brothers first full band show in 2 years, plus solo sets from both Ryan Ritual and Suede James. With special guest Loviet- 16+, under 16 admitted with ticketed guardian

Tall Tall Trees w/ Pie Lombardi

Lost Lake Presents Tall Tall Trees and Pie Lombardi on Friday, August 11th.  Tall Tall Trees is the musical id of songwriter and multi-instrumentalist Mike Savino, a pioneer in the realm of experimental, DIY banjo music. Accompanied by his trusty Banjotron 6500, a highly customized, electrified banjo and effects pedal setup, Savino has wowed audiences since the 2009 debut of his self-titled debut album with his eclectic and innovative blend of psychedelic folk, rock and world music. His work seems to actively evade comfortable definition, upon first listen one will recognize the tenderness of Cat Stevens, the melancholy introspection of Elliott Smith, the anthemic psychedelia of Pink Floyd, and a deep abiding respect for Earl Scruggs. Savino often performs solo, showcasing his fleet footed loop pedal mastery, as well as alongside long-time collaborator and fellow innovator, Kishi Bashi. Tall Tall Trees latest release, A Wave of Golden Things was released in 2020 on Joyful Noise Recordings.A Wave of Golden Things, his fourth studio album, opens with the distant crow of a rooster and takes off in a dust cloud of swirling banjo, drums and bass. The lead off track, “The Wind, She Whispers,” quickly evolves from a droning mountain melody into full-blown banjo funk, setting the precedent for an album of unexpected turns. Though the banjo is heavily featured, the influence of Pink Floyd, and Cat Stevens can be felt as much as banjo mavericks Earl Scruggs, and Bela Fleck.Savino, who self-records and produces his music, abandoned the heavily-layered textures of 2017’s Freedays for a more organic, stripped-down approach, leaving his distinct voice and thoughtful lyrics as the centerpiece. Despite the sparse arrangements, Savino still manages to evoke the sonic imagery and pastoral landscapes that have often been hallmarks of Tall Tall Trees albums. Each of the eight songs that make up A Wave of Golden Things suggest a world unto itself, from the cosmic country-tinged, “Ask Me Again,” to the sprawling underwater lullaby “Deep Feels.”Opting for an immersive experience over a traditional studio, Savino set up residence and a mobile recording rig on a hemp farm in the Appalachian mountains outside of Asheville, North Carolina, where he now resides. Recorded in just under three weeks, with much of it arranged on the spot, the album maintains a sense of immediacy, celebrating raw performance over perfection. “I’m giving up on my expectations, let them go and see where it takes us,” Savino sings on “Expectations,” almost seeming to revel in this experimental process.Savino’s voice, left unadorned, can be simultaneously gentle and strong, at times sage-like in delivery. On the album’s closing title track “A Wave of Golden Things,” his soft spoken meditations on mental health reflect a new maturity in his song craft and singing. As the song develops, Savino’s voice gains confidence and his whisper becomes a fragile cry, neither full-throated nor fully secure, but at home in a warm bed of upright piano and echoing tape delay. “We all need a little peace and love right now,” he sings as if he’s at the end of his breath.Reflective of the dark and challenging times of today, Savino’s message is ultimately one of hope and finding peace of mind in the chatter of the modern world. The last chorus reaches towards a transcendent beauty in the darkness, and makes a promise: “a wave of golden things, it waits for you.”  – 16+, under 16 admitted with ticketed guardian

MAN ON MAN w/ Post/War

Lost Lake Presents MAN ON MAN with Post/War on Monday, September 25 — MAN ON MAN’s triumphant and pop-powered return, Provincetown is the result of an accidental band moving with sudden intention and two once-new partners growing into a deeper relationship. Written largely in that tip-of-the-Cape haven that gives the record its name, Provincetown cavorts even as it poses complicated questions about what it means to be queer, alive, and in love in the first quarter of this anxious American century. There are peppy hookup-app blues, queer history lessons set to contagious electroclash, unfettered celebrations of sex and summertime fun—glitter bombs all, set off to light up these often-dark times. “Windows down, let ’em see/We’ve got nothing to hide,” they sing during the enormous and insistent “I Feel Good,” boldly answering the title’s refrain with “I feel great/In these United States.” It is, like all of Provincetown, a massive rainbow flag in the ground—not a statement of existence so much as a proclamation of defiant thriving. Cum, if you will, and take it. If MAN ON MAN’s self-titled debut represented the start of their relationship, Provincetown—finished just as they neared the four-year mark—represents its steady maturation and the gifts therein. They now know what about the other makes them tick better. For Bottum, a veteran of big-time rock bands, Holman represented the first time he felt fully embraced by a collaborator, that he didn’t have to scream for his ideas to be heard. (And it’s not, mind you, because they share the same tastes. Holman loves Silverchair. Bottum is a Sparks superfan.) For Holman, meanwhile, it’s Bottum’s ability to reduce thorny ideas, whether lyrically or musically or emotionally, into more digestible notions. That ability is key to Provincetown, which does not shy away from difficulty but delivers it always with pizazz and efficiency. Take opener “Take It From Me,” a fluorescent disco-grunge anthem about decades—no, centuries!—of exploitation of queer culture, from dudes who talk about their wives only after sex with a man to rising rents that push LGBTQ people out of spaces they helped make vital. It’s a doctoral thesis condensed into three minutes, then loaded with a defiant credo: “You’ll never take it from me.” And then there’s “Piggy,” a radiant rock strummer about the internalized self-hatred of someone too scared of being queer to show their face on an app, only their torso. “You gotta first love you, if you wanna fuck me,” they sing in a hook that would have been all over rock radio in an alternate and inclusive version of the ’90s. (By the way, speaking of guitars and the ’90s, yes, that’s J Mascis you hear roaring onc loser “Hush.”) Those same sentiments curdle in “Gloryhole,” a monstrous shoegaze jam about the vexing contrast between being gay online and in real life, or between being ardent digital activists and meatspace meatheads. The good times and the good fight, Holman seems to say, must commingle. There are, of course pure and unadulterated thrills here, songs that echo that rush-of-love esprit of MAN ON MAN’s debut. In fact, while touring those early songs, especially while opening for the dudely crowds of Dinosaur Jr., they learned how much fun they could have leaning into their livewire tendencies, a realization that shaped this record’s explosive sense of wonder. Named for Provincetown’s famous weekly variety show, “Showgirls” testifies to the pleasures of learning one another’s love-and-lust languages. Sexy, seductive, and dangerous, it’s a rock song about exploring and expanding each other.  – 16+, under 16 admitted with ticketed guardian

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