Matt Heckler w/ Johno Leeroy + Joe’s Truck Stop

Lost Lake Presents Matt Heckler with Johno Leeroy and Joe’s Truck Stop on February 24 — MATT HECKLER is a solo multi-instrumentalist that barely fits into any ordinary musicalcategory. He tends to keep to the darker side of Appalachian mountain music and earlybluegrass but listen long enough and you’ll soon be transported to the mountains of EasternEurope or a dimly lit bar in Ireland where they honor those who have passed with a gentlyswaying a cappella ballad.After touring almost nonstop for years in support of bands like Devil Makes Three, Lost DogStreet Band, Flogging Molly, and others, HECKLER, like the rest of us, got sidelined by theongoing global pandemic. With the newfound time off, he set to pushing creative boundariesin his home recording studio as far as his mind would allow. Each fiddle, banjo, and guitartrack carefully put in place all the while retaining the grit and energy reflected in his liveshows. Paired perfectly as the sequel to After The Flood, the Blood, Water, Coal album is adefining release in his career.Blood, Water, Coal was performed and recorded by MATT HECKLER with upright bass andbacking vocals provided by Jeff Loops (Lost Dog Street Band). While recording Blood,Water, Coal, MATT HECKLER released The Magnolia Sessions outdoor live set – themaiden release for the now popular series – which made it to #9 on the Bluegrass BillboardCharts. The Magnolia Sessions was still charting upon the release of Blood, Water, Coal,which debuted at #3, leaving HECKLER with two albums running on the Billboard Chartssimultaneously.HECKLER writes, “I started working on this album over a year ago in my home. Ran into alot of snags and problems inherent in self-recording, but being alone, just a mic and myinstruments, was the only way to capture the raw emotions this collection of songs holds forme. Some of these tunes were written over a decade ago, most of them in more recentyears. Others took years to write. But now that it’s done, I can confidently say this album isthe perfect sequel to After The Flood.”- 16+, under 16 admitted with ticketed guardian

Runnner w/ waveform*

Lost Lake Presents Runnner with waveform* on Tuesday, March 21st. – 16+, under 16 admitted with ticketed guardian

Skizzy Mars w/ Mallory Merk

Lost Lake Presents Skizzy Mars with Mallory Merk on Thursday, March 2nd.  VIP Meet & Greet Pagacke Includes: One (1) General Admission Ticket Meet & Greet and Photo with Skizzy Mars Access to Pre-show Acoustic Performance with Skizzy Mars One (1) Signed Poster One (1) Commemorative VIP Laminate Venue First Entry  All package elements will be rendered invalid if resold. Name changes will be issued at the sole discretion of 237 Global. VIP instructions will be sent via email no later than three days (3) prior to the concert. If you do not receive this email three days (3) prior please email info@237global.com. All packages and contents are non-transferable; no refunds or exchanges; all sales are final. All VIP package items and experiences are subject to change. Please note that the information provided at the time of purchase (e-mail and mailing address) is the same information that will be utilized for individual contact requirements where applicable. 237 Global, the artist, tour, promoter, ticketing company, venue or any other affiliated parties are not responsible for outdated or inaccurate information provided by the consumer at the time of purchase. If you have any questions regarding your VIP package elements, or have not received your package information within three days (3) of the concert date, please email info@237global.com. – 16+, under 16 admitted with ticketed guardian

Enumclaw w/ Nitefire + Compass & Cavern

Lost Lake Presents Enumclaw with Nitefire and Compass & Cavern on Tuesday, April 4 –Enumclaw is Aramis, guitarist Nathan Cornell, drummer Ladaniel Gipson, bassist (and Aramis’ younger brother) Eli Edwards. Working alongside producer Gabe Wax (Soccer Mommy, Crumb, Fleet Foxes), Enumclaw’s Save the Baby delivers an album where on each track the band plays with dynamics while taking their songwriting to the stratosphere. The grinding guitar on lead single “2002” is no match for Aramis’ soaring chorus, while the music of “Jimmy Neutron” evokes the romantic, wind-swept feeling he sings about propelled by an instantly memorable riff. “Cowboy Bepop” feels like a ripcord letting loose and flapping behind a car on a joyride. The opening self-titled track is divided by a valley of murky haze, sending the uptempo rock of its first movement into the lighters-up moment of its closing section, all thunder and heft. Aramis exclaims his satisfaction with the take before the recording abruptly cuts off, the first in a series of earnest insights into the joy of getting to achieve the band’s ambitions. On “10th and J 2,” a striking, pulsating rock song tinged with melancholy, Aramis sings of destiny, something he believes in greatly. “It really felt like it was my last shot to make it out of here, from a mental perspective, from a career perspective,” he says about writing and recording Save the Baby. As he plays the chords of “Apartment” on acoustic guitar, he sings, “Hey! You’ve got one last chance! / Why not give it all that you can?” It’s essentially a letter to himself, a reminder to put his all into pursuing a childhood dream. For himself, for his loved ones, for all the people he’s known who never made it out of the cycle of trauma. Save the Baby is an album about stepping into your purpose, about the determination it takes to not give up on yourself in the midst of heartbreak and setbacks. It’s not a stretch to imagine a younger version of the band getting a glimpse of the future and freaking out by knowing their destiny of making it as a rock star has landed on their doorstep. — Martin Douglas- 16+, under 16 admitted with ticketed guardian

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